
Thank you to Lis and the team at Vraeyda Literary’s MacroMicroCosm journal for publishing three of my speculative poems: Ansible Dreams, We Small Readers, and Chaos Theory (The Mandlebrot Set). It’s always exciting when my work finds a home!
My poems can be read via purchasing either the print or PDF version of the journal.
About Astral
A mighty shout out to the two prose pieces within Astral, Matthew Buscemi’s To Shape the Future, and Sacha Rosel’s Into Something Rich and Strange (from Chapter 1 of her newly released novel My Heart is The Tempest). We have multiple pieces of poetry from longstanding contributor Adrienne Stevenson, Peter Graarup Westergaard (from his Warning Light Calling collection done in a dissident Soviet style, not dogma), and returning contributor Matthew Fast, who has the prestige to have been in the primordial issue of MacroMicroCosm years ago. Fast’s poetry is based off his song lyrics for the upcoming The Far Lands album, and I am pumped about hearing it via bandcamp when it hits Abram’s Epilogue.
Michael Janairo gives us three poems, while Sapha Burnell closes us off with one we used to end Volume 7 and bring on the stellar theme to Volume 8. Art by Sarah Melgoza & Katelyn Lane surrounds the poetry, while our last contributor is a posthumous submission by the estate of Cotrina Graham Smith. We hope you enjoy seeing 1980’s layouts, we got a kick out of them! So much so we featured the poems ‘as is’.
About MacroMicroCosm
A Quarterly Digital literary & art journal dedicated to speculative fiction, art & literary criticism. A celebration of the weird, strange and perceptibly odd. A review of books, music, film & art. Home of our MacroMicroCosm Book Review Podcast & YouTube channel. Features articles on creative development & philosophy. MacroMicroCosm embraces a broad base of fiction and non-fiction with fantasy, magic realism, science-fiction and futurist elements in poetry, short story, art, photography, and comic.






Some of the stories are already familiar from her appearances on late-night comedy shows, such as the Groupon swamp tour in New Orleans she took Will and Jada Pinkett Smith during the filming of “Girls Trip.” That story touched upon a few points that made Haddish’s story so effective: it marked a moment of her place within the world of entertainment as a relatable up-and-comer suddenly finding herself not only working with Hollywood superstars, but also socializing with them.
I recommend the story collection
We had a Zenith television when I was a kid. It was big, bigger than me. When we wanted to change the channel, we had to get up and turn the dial. When the plastic dial broke, or at least the part that connected it to the channel mechanism on the TV, then we superglued the broken bit of plastic back together. We used the dial until it broke, again. We superglued it again. This kept going on until the plastic dial couldn’t be repaired anymore. Then we just risked cutting our fingers against the sharp-edged plastic of the now-exposed channel changing mechanism. We pressed our fingers against it, twisted our wrists and changed the channel. There were only 13 stops on the dial, and only four stations: ABC, CBS, NBC, and PBS, so it wasn’t that big of a deal. We made do and we kept that TV long after friends started to buy Sony Trinitrons. Eventually, we got something from Panasonic.
Following Tommy by Bob Hartley is a gem of a book: hard, brilliant and valuable.