Michael Hiser on “Slaughterhouse-Five”

The following post was sent in by Books Blog contributor Michael Hiser, no doubt celebrating the year of Vonnegut:

slaughterhousefive.jpg(This is the original book cover of the novel.)
It shames me to admit that I had not read Kurt Vonnegut’s Slaughterhouse 5 -– or any of his other books –- until one week ago. That’s about 36 years too late. For someone who was 15 in 1970 when the book came out, and who has always most enjoyed a bleak-comic-absurdist brand of humor, this is an admission of some magnitude.

Fortunately, the place at the table for bleak-comic-absurdist brand of humor has never seemed more secure, especially since March of 2003. Maybe I was just lucky: while other people have had to look elsewhere for intellectual relief after these interesting 37 years — after Vietnam, Watergate, Ronald Reagan, the fall of the Wall, Monica, and the continuing tragic unfolding of W’s Mindless War of Hubris -– I, for the first time, got to read Vonnegut.

It’s the story of the life of Billy Pilgrim, an optometrist from Ilium, New York. We dip into Pilgrims life at different stages, chronologically. Pilgrim involuntarily time travels, or as Vonnegut writes in opening the book, “Listen: Billy Pilgrim has come unstuck in time”. Pilgrim never knows when he is going to walk from one scene to another, say, when he’s a prisoner of war of the Germans in Dresden in early 1945, to the next when he’s getting married, then in a hospital recovering from an airplane crash, and thence even to another planet, Tralfamadore. He’s kept there, fairly happily, in a zoo. Mainly, though, we get his ground zero e view of living through the Dresden fire bombing of Feb. 1945.

What does the book tell the first time reader who should have read it when Nixon was still scheming to hide the tapes? First, it’s funny. And it’s sad. And it’s absurdist, with it’s description of the time travel of Billy Pilgrim, the actions of the aliens, the Tralfmadores, and the literary leavings of the underappreciated novelist Kilgore Trout. It’s got an air of resignation –- signified by the 214 times that the phrase, “So it goes” is intoned, generally connected with events related to death. But it’s almost a cheerful resignation.

I was directed to the book after all this time by my 17 year old son’s urging, and also by m recent reading of “Flyboys”, by James Bradley. “Flyboys” describes the air war in the Pacific in WWII. Bradley describes the evolution of the American war policy that at first strongly condemned the bombing of civilian targets, but by the end of the war, had wholeheartedly embraced it. The May 1945 incendiary attacks on Tokyo lead to the deaths overnight of some 100,000 people in huge firestorms. It was the same tactic used in February 1945 in Dresden, with the same grim effect.

Bradley’s descriptions lay out the facts of these attacks, and he is clear in his criticism of them, especially in noting the hypocrisy adopted by the US to describe the American intent and role. Vonnegut also describes the facts of the attacks, though he lets us come to our own conclusions about the American intent and role. These were events that, in retrospect, seem clear to have been at the intersection of technology gone awry, to the point where man has lost control of it.

This is not a new theme in human endeavors. A consistent analysis in evaluating the military tactics used in the American Civil War has been that the tactics tended to trail the equipment available. [The corollary is the “generals always fight the last war”]. Thus, even as late as July 1863, in Pickett’s Charge at Gettysburg, 12,000 or so massed ranks of Confederates marched across an open field on which they were sitting ducks for rifled shot, artillery, etc. Those tactics of the Napoleonic era did not survive that last gallant effort.

That seems to be similar to where we are now. We have developed weapons to incinerate beautiful cities and centers of culture either over a period of hours [like at Dresden, or Tokyo] or immediately, as in Hiroshima and Nagasaki. Since we had them in our arsenal, we used them. We still have them, and, from the saber rattling toward Iran coming out of Washington, their use is still contemplated . Like our forefathers, we haven’t yet come up with a new military strategy that encompasses the non-use of a military weapon that we’ve created. That next step would be called “peace”. We weren’t there in 1945, or 1968, or 2003, and we’re not there yet. So it goes.

Audio Books: ‘Ballad of the Whiskey Robber’

“Ballad of the Whiskey Robber,” by Julian Rubinstein. Narrated by the author, with a cast of 27 others. Unabridged, 11.5 hours. Time Warner Audio Books digital download. $39.98.

Rubinstein’s award-winning nonfiction book from 2004 is subtitled “A True Story of Bank Heists, Ice Hockey, Transylvanian Pelt Smuggling, Moonlighting Detectives, and Broken Hearts,” but even that doesn’t come close to capturing the entertaining wealth of information in the just-released audio version of the book.

The Whiskey Robber is Attila Ambrus, a Transylvanian who escapes communist Romania in 1988 for a better life in Hungary (click on YouTube video above for more about him). There, he lands an unpaid job as a backup goalie to a professional hockey team. Eventually, his desperation leads him to a life of crime. His gentlemanly demeanor and audacity, however, prompt the media to turn him into a folk hero, whose 29 bank robberies and one improbable escape from jail mock the ineffectual and corrupt post-communist government.

What Rubinstein succeeds at doing is telling Ambrus’ fascinating story with unflinching detail and affection while also portraying Hungary in a specific historical moment, the time between the fall of communism and the worldwide changes wrought by 9/11.

Rubinstein’s deadpan narration is the perfect counterpoint to the rich voices, sound effects and music by One Ring Zero, the McSweeney’s house band. The cast includes such notable performers as Eric Bogosian, Tommy Ramone, Demetri Martin and Jonathan Ames, as well as best-selling authors Gary Shteyngart, Arthur Phillips, Samantha Power and Darin Strauss.

Though some voices descend into caricature to get laughs, the production is well grounded in the rich performance by Csaba Bereczky, who performs Ambrus with a commanding gentleness.

Audio Books: ‘The March’

“The March,” by E.L. Doctorow. Read by Joe Morton. Unabridged, 11 hours, 10 minutes. Random House Audio. $39.95.

Doctorow’s award-winning Civil War tale of Gen. William T. Sherman’s march through Georgia and the Carolinas is a stunning depiction of a historical event and a reminder of today’s senselessness violence.
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Audio Books: ‘Judge & Jury’

“Judge & Jury,” by James Patterson and Andrew Gross. Read by Joe Mantegna. Unabridged, 8 hours. Hachette Audio. $39.98.

The Patterson publishing empire continues with his third best-seller of 2006. In it, a dogged FBI agent, Nick Pellisante, squares off against a vicious mob boss, Dominic Cavello, with the unexpected help from a struggling actress and single mom, Andie DeGrasse.
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Audio Books: ‘The Long Tail’

“The Long Tail,” by Chris Anderson. Read by Christopher Nissley. Unabridged, 8 hours. Hyperion Audio Books. $39.98.

Anderson’s book-length expansion of the 2004 article he wrote for Wired, where he’s the editor in chief, offers a compelling argument for the vitality of his theory of the Long Tail, or what he calls the rise of “niche markets” in economy that has traditionally been based on “hits.”
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Norman Mailer in the news

Norman Mailer’s visit to the New York State Writers Institute isn’t until May 1, but since his latest novel — The Castle in the Forest — just came out, he’s been getting plenty of press.

Here’s a selection:
NPR

The narrator for Norman Mailer’s The Castle in the Forest — his first novel in a decade — is a demon posing as one of Adolf Hitler’s S.S. intelligence officers.

The narrator writes years later about how he guided the early life of the young Hitler, from his conception to early adolescence. Mailer’s devil-narrator is smart, elegant and ironic, and recalls something of Mailer himself — since the narrator rarely meets a boundary he doesn’t break.

Critical Mass interview

To compare Saddam Hussein to Hitler is the kind of thinking you would do in an eighth grade civics class. You can absolutely quote me on this: I really think the level of intellectuality in George Bush’s mind is comparable to the mind of some mediocre teacher who instructs eighth grade pupils in civics. He’s a civics teacher at a middling level, at a dreary middling level.

The Guardian (U.K.)

The celebrated novelist Norman Mailer has walked into a critical maelstrom in Germany with the publication of his new novel – his first for 10 years – which depicts a young and adolescent Adolf Hitler.

The Castle in the Forest, which includes the bed-wetting young Hitler known as “Adi”, has been pummelled by newspaper critics and has angered Germany’s influential Central Council of Jews, which has urged artists to finally leave the history of the dictator alone.

Audio Books: ‘The Night Gardener’

The Night Gardener,” by George Pelecanos. Read by the author. Abridged, 6 hours. Hachette Audio. $29.98.
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Audio Books: ‘Imperium’

 “Imperium: A Novel of Ancient Rome,” by Robert Harris. Read by Simon Jones. Unabridged, 13.5 hours. Simon & Schuster Audio. $49.95.
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‘On Truth’

‘On Truth’ is a treatise of distinction
Author says lies toy with grasp of reality

By MICHAEL JANAIRO, Staff writer

Harry G. Frankfurt has followed up his 2005 best-seller, “On Bull—-,” which was a philosophical inquiry into “hot air” statements that reflect an indifference to truth, with an equally thought-provoking (and equally slim) volume.

“On Truth” (Knopf; 101 pages; $12.50) aims to explain what he neglected in his previous book: why truth is important.
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