‘Angela and the Scar’ called a ‘standout’ tale in ‘Long Hidden’

In case you didn’t know, the anthology of all-new short fiction “Long Hidden: Speculative Fiction from the Margins of History” comes out on Friday, May 9, 2014.

A review from RT Books says the editors “have assembled some superstar-powered stories,” and then it goes on to point out three “standout tales” out of the 27 in the volume. And, yes, the story I wrote, “Angela and the Scar” is one of those standout tales.

Thanks!

Read the full review here http://www.rtbookreviews.com/book-review/long-hidden

Early reviews of ‘The Duck’ are in

“Really enjoyed it!”

— Professor Gina Occhiogrosso

“It’s a great short story.”

— Amy Biancolli, arts and culture writer

“It’s got my vote.”

— Tracy Ormsbee, senior editor for features at the Times Union

“It’s a good story.”

— my dad

Read “The Duck” here: http://bartlebysnopes.com/theduck.htm

Vote for “The Duck” as the Story of the Month by March 2, 2014, here: http://bartlebysnopesstoryofthemonth.wordpress.com/2014/02/24/february-2014-story-of-the-month/

Review: The Colorado Kid by Stephen King

The Colorado Kid
The Colorado Kid by Stephen King
My rating: 3 of 5 stars

The TV show Haven brought me to this tale, which was more of a story about stories — a kind of using fiction to figure out a kind of aesthetic — that makes a clever distinction between stories that are good for the news media (ones that have only one thing strange about them and that can be summed up easily) versus stories that don’t work in the news media, that is stories that are too strange or unresolved or have too many points in them to be easily summed up.
Continue reading →

Review: The Dispossessed

The Dispossessed
The Dispossessed by Ursula K. Le Guin
My rating: 5 of 5 stars

Awesome. Wonderful. Confounding. Clever. Brilliant.

A coworker handed me her copy of this great Ursula K. Le Guin novel when she heard that I hadn’t read it yet. The book requires attention, and it wasn’t until I had long stretches of time was I able to get into it. New names. New places. Conflicts between people for reasons that aren’t clear at first. It is a testament to Le Guin’s world-building — the completeness a reader can feel of the places she creates on the planet Urras and the moon Annares — that I and I’m sure many other readers enjoy the process of moving through the novel and learning what things mentioned earlier mean.
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Review: Go, Dog. Go!

Go, Dog. Go!
Go, Dog. Go! by P.D. Eastman
My rating: 5 of 5 stars

When I was a little kid, this book seemed to be more my older brothers’ speed. It was longer. It was more complex, and it had a sense of danger about it that I didn’t truly understand as a young reader. When I finally did read the book, I thought it was really cool. I felt like I accomplished something, and I couldn’t understand what had made me apprehensive about reading it in the first place.

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Review: The Cut

The Cut
The Cut by George Pelecanos
My rating: 2 of 5 stars

I’ve enjoyed other George Pelecanos’ books, especially The Turnaround, much better than this. The character Spero Lucas just seems too pretty/macho/lucky/wise/serious to feel real or to be seriously.

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Review: Oil and Honey: The Education of an Unlikely Activist

Oil and Honey: The Education of an Unlikely Activist
Oil and Honey: The Education of an Unlikely Activist by Bill McKibben
My rating: 4 of 5 stars

Bill McKibben opens up about his mixed feelings of turning from writer about the environment to activist. A heartfelt and compelling read.

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‘On the Town’ a frisky, energetic romp

‘On the Town’ a frisky, energetic romp

 
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Barrington revival captures musical’s sass, sexiness

Pittsfield, Mass.

If the Broadway original of “On the Town” was anything like the production at Barrington Stage Company, then it’s no wonder the baby boom coincided with the hit’s 1944-46 run.

Sassy, sexy, energetic and fun — it’s a hell of a musical. Continue reading →

On the Town at Barrington Stage Company, 6/16/13

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Pittsfield, Mass.

If the Broadway original of “On the Town” was anything like the production now on stage at Barrington Stage Company, then it’s no wonder the baby boom coincided with the hit’s initial run (1944 to 1946).

Sassy, sexy, energetic and fun — it’s a hell of a musical.

The story is simple enough: three sailors — Ozzie, Chip and Gabey — set out on a 24-hour shore leave in 1944’s New York City looking for adventure — and dames. The stage set is simple, too, with minimal signs and scrims, and occasional tables and seats to suggest apartments, restaurants, a taxi, streets and museums.

The rest of it, though, only seems simple. The top-notch 10-piece orchestra under the direction of Darren R. Cohen nailed Leonard Bernstein’s energetic and upbeat score. Joshua Bergasse’s choreography filled the stage with joyous movement and vitality, creating stage pictures that winked at Jerome Robbins while taking on a life of its own (the musical was based on Robbins’ ballet “Fancy Free,” after all). Continue reading →