Author: Michael Janairo

  • New York State Writers Institute announces spring 2012 season

    The complete listing of the Visiting Writers Series and Classic Film Series schedules follows.

    VISITING WRITER SERIES

    February 2 (Thursday): Alan Lightman, novelist and science writer

    Seminar – 4:15 p.m., Assembly Hall, Campus Center, Uptown Campus

    Reading – 8:00 p.m., Assembly Hall, Campus Center, Uptown Campus

    Alan Lightman, theoretical physicist and bestselling author, is renowned for accessible works of fiction and nonfiction that explain the “grand ideas” of physics. His most recent book is Mr. g: A Novel About the Creation (2012), which Publishers Weekly called, “a touching, imaginative rendition of God’s creation of the Universe.”

    February 10 (Friday): Teju Cole, novelist and street photographer

    Seminar – 4:15 p.m., Assembly Hall, Campus Center, Uptown Campus

    Reading – 8:00 p.m., Recital Hall, Performing Arts Center, Uptown Campus

    Teju Cole is the author of the critically acclaimed debut novel Open City (2011), the story of a young Nigerian-German psychiatrist who wanders the streets of Manhattan exploring the city’s landscapes, people, and his own feelings of isolation. The New York Times named it a “2011 Notable Book” and described it as “an indelible novel [that] does precisely what literature should do: it brings together thoughts and beliefs, and blurs borders…A compassionate and masterly work.” (more…)

  • Skidmore’s Steven Millhauser a Story Prize finalist

    The Story Prize announced today the three finalists for the annual award for books of short fiction.

    The three short story collections were chosen from among a field of 92 books submitted in 2011.

    The finalists are:

    • The Angel Esmeralda by Don DeLillo (Scribner)
    • We Others by Steven Millhauser (Alfred A. Knopf)
    • Binocular Vision by Edith Pearlman (Lookout Books)

    The finalists were selected by Story Prize founder Julie Lindsey  and Director Larry Dark. The judges for this year’s award will be award-winning author Sherman Alexie, Indiana University comparative literature professor Breon Mitchell and Louise Steinman, the curator of the award-winning ALOUD reading/conversation series for the Los Angeles Public Library, and co-director of the Los Angeles Institute for Humanities at USC.

    (more…)

  • How did people react to the news of Trader Joe’s coming to Colonie?

    Lots of people responded to the news. Check out what they had to say.
    (more…)

  • Schenectady actor James DiSalvatore in CBS’ ‘Unforgettable’ tonight

    Tonight at 10 p.m. on CBS Ch. 6, Schenectady native James DiSalvatore will appear in a small role in the crime drama “Unforgettable.”

    DiSalvatore will be familiar to Capital Region theatergoers, with roles in plays such as Curtain Call Theatre’s 2007 production of Agatha Christie’s “Witness for the Prosecution” and Alberto Casella’s 1928 classic “Death Takes a Holiday” in 2004 at Schenectady Civic Players.

    The actor will be back in Schenectady tonight to watch the show with family and friends at Gaylords Tap Room, 1889 State Street, Schenectady.

    Break a leg, Jim!

  • Art feud: Hockney takes on Hirst over use of assistants

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    The painter David Hockney, who was recently honored by Queen Elizabeth with the Order of Merit, has put up a poster at a new exhibition at the Royal Academy in London that says, in part, all of the work in it was “made by the artist himself.”

    In an interview, Hockney is said to have included that statement as a direct indictment against the work of another art superstar, Damien Hirst, who uses assistants to produce work that is credited under his name.

    The AP has the story here.

    Richard Dorment in the Telegraph in London weighs in with an opinion piece that says Hockney is well aware of the use of assistants throughout the history of art, but that:

    When Hockney notes that in his forthcoming show at the Royal Academy “all the works were made by the artist himself, personally” he is teasing a younger artist who probably deserves it and can certainly take it.

    It’s what he said later in the interview that I find so moving. “I used to point out, at art school you can teach the craft; it’s the poetry you can’t teach. But now they try to teach the poetry and not the craft.’’ He’s saying that students used to be taught how to draw perfectly at the expense of their individuality. Now scores of students graduate from art colleges believing that everything they do or touch or say can be labelled a work of art but they couldn’t draw a rabbit if you held a gun to their heads. There you have it: the difficulty of teaching art in a nutshell.

    What do you think?

  • Big Picture: Notes on how to be a critic

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    Times Union Studio shot of Entertainment Editor Michael Janairo for his upcoming Unwind “Big Picture” Arts Column, shot on Wednesday, June 16, 2010, in Albany, NY. (Luanne M. Ferris/Times Union)

    Happy New Year!

    2012 looks to be an exciting year in arts and entertainment for the Capital Region, with events such as the Broadway musical “Memphis” in April at Proctors in Schenectady, Roger Waters “The Wall” in June at Times Union Center in Albany, the release sometime in late summer or fall of the filmed-in-Schenectady “The Place Beyond the Pines” and, in November, the exhibition “Heroes and Villains: The Comic Book Art of Alex Ross” at the Norman Rockwell Museum in Stockbridge, Mass.

    The Times Union will have plenty to contribute to the ongoing dialogue about the arts in the region. In that spirit, and buoyed by the promise of a fresh year, I have a three-part agenda that is like a New Year’s resolution, except that it is more about what I want from others than just about what I will do. (Is that even allowed?)

    1. I want to read more thoughtful comments on the Arts Talk blog at http://blog.timesunion.com/localarts, where everyone is welcome to comment.

    2. I want better comments online in general, because nowadays everyone’s a critic.

    3. I want to skew the word critical to its more positive definitions. Too often it means “nitpicky” and “negative”; however, the word also means “analytical” and “vital.” It’s all in the dictionary. Look it up. I’ll wait. (more…)

  • Big Picture: Chance to share stories truly a gift

    LF 0620_u_bigpicture 19
    Times Union Studio shot of Entertainment Editor Michael Janairo for his upcoming Unwind “Big Picture” Arts Column, shot on Wednesday, June 16, 2010, in Albany, NY. (Luanne M. Ferris/Times Union)

    As the year winds down, I and the arts and entertainment team at the Times Union have been looking back on the highlights of 2011. The thought exercise offers a reminder that the greater Capital Region offers a wonderful breadth and depth of cultural opportunities in dance, classical music, opera, literature, theater, visual arts, jazz and popular music.

    This fall, I had the opportunity of taking part in one of those offerings from the New York State Writers Institute. It wasn’t the free authors’ readings — though I did attend plenty of those in what was a particularly strong season with Nicole Krause, Ian Frazier, Isabel Wilkerson, Colson Whitehead, Tom Perrotta, Robert Caro and, of course, William Kennedy, the founder of the instituteand author of many novels, including his latest, “Chango’s Beads and Two-Tone Shoes.”

    The opportunity I had was an eight-week writing workshop for prose writers. The workshops — one was offered this fall in poetry, another in prose — are offered for free to residents of the Capital Region who are selected based on writing samples submitted beforehand.

    I had applied for the workshops before, but this was the first time I had been accepted. (more…)