Writer-director Christopher Nolan has created some of the most memorable cinematic moments: the effect of the near-permanent daylight on a LA detective in Insomnia; the slippage of time between places created by a wormhole in Interstellar; the three-action-sequences-at-once in Inception; and the backwards in time unwinding of the plot of Memento. What these all have in common is a concern with time and how it functions—through the duration of a film, on the characters, and on the audience.
Though I have come to think of Nolan’s films as having great ideas, if not always satisfactory stories (the love conquers time as central to the plot of Interstellar, for example, felt like a let down), I was still eager to see Dunkirk. That the film’s running time was an hour less than Interstellar also helped.
Best best picture nominee, that I’ve seen Spotlight, but I’ve only seen Spotlight, the Martian, and Mad Max: Fury Road (I liked them all)
Best Star Wars thing
Sure, the movie was fun, but the Solo Family Portrait blew me away.
Best real depiction of journalists
Spotlight has been hailed for its realistic portrayal of the process of investigative journalism. Just as important was showing actors looking like real journalists. What stood out for me was Brian D’Arcy James in Spotlight, at right, looking so much like the Times Union’s Tim O’Brien, at left.
Best nominee I’ve met
David Lang, shown below, in the elevator at the Tang Teaching Museum — photo by me. He’s nominated for his composition “Simple Song #3” from the soundtrack for “Youth.”
Best accent to listen to
Saoirse Ronan’s Irish accent rocks.
Best accent to do
Tom Hardy’s character Ivan Locke in the 2013 movie Locke: “Yes, it’s there, it’s there. It’s got everything you’re going to need in there. All the numbers, the sign offs, the road closures that you have to confirm with the police. The drawer above the blow heater.”