
The Gates by Christo and Jeanne-Claude, February 12, 2005, Central Park, New York City.
The Gates by Christo and Jeanne-Claude, February 12, 2005, Central Park, New York City.
“Jazzmen,” Jacques Mahé de la Villeglé, 1961, torn posters mounted on canvas, on view in “Delirious: Art at the Limits of Reason, 1950-1980” at The Met Breuer, on loan from the Tate
M.C. Escher done up in Lego. inothernews:
Re-posting this from over the weekend: M.C. Escher done up in Lego.
Originally posted Oct 12, 2011:
Art worth a look.
“OMG,” Brian Kane, 2011, Red vinyl, metal, electronics, is on exhibit at the Albany Airport Gallery’s “LOL” show, from Oct. 1, 2011, to March 25, 2012. (Photo Courtesy Albany Airport Gallery)
Originally published Oct 5, 2011: tsang kin-wah: the fifth seal meggieschwendemann:
tsang kin-wah: the fifth seal – he shall deliver you up to be afflicted and killed as he was
mori art museum, tokyo
on now until january 15th, 2012
via designboom.com
Originally posted Oct 14, 2011: Images from Deborah Zlotsky’s solo art exhibition in fall 2011 at the Kathryn Markel Gallery, 529 20th St., New York City.
See more of Deborah’s art at http://www.deobrahzlotsky.com
Dwell at CAC Woodside in Troy
(originally posted Oct 9, 2011)
This summer, the grounds of Chesterwood—the summer home of Daniel Chester French (1850-1931), best known as the sculptor of the Lincoln Memorial— in the Berkshires is host to an exhibition of contemporary sculpture called Out of Site, organized by Sharon Bates. Deborah Zlotsky is among the fourteen artists showing work. Though known as a painter and drawer, Zlotsky created a time-based participatory work called “Just a Minute!”
Curator Sharon Bates helps with the installation of Deborah Zlotkys’s “Just a Minute!” at Chesterwood in May 2017.
“Just a Minute” at Chesterwood, 2017, invites viewers to slow down, use their senses, and experience the natural world in a way that draws attention to a small area that could easily be overlooked.
A boy, at left, finds a spot for close observation, while his mother, at right, operates the timer to tell him when to start and stop looking during Chesterwood’s opening of “Out of Site: Contemporary Sculpture at Chesterwood” in June 2017.