Blog

  • Black History Month: “Apex Hides the Hurt”

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    Colson Whitehead’s 2006 novel “Apex Hides the Hurt” once again delves into issues of race and identity through a “nomenclature consultant” hired to help rename the town of Winthrop so it can be revived for the 21st century, but who is also going through his own crisis having named a successful but shoddy product, Apex, a Band-Aid competitor that comes in a variety of shades so the bandage can “disappear” on the skin of most anyone (and it is specifically targeted across the country by ZIP code).

    Listen to an audio interview here.

    Click “more” to read my review of the book.

    (more…)

  • “Roscoe,” ASO

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    From Sunday’s paper:

    The Albany Symphony Orchestra is inviting Capital Region book clubs to take part in its upcoming celebration of William Kennedy, Albany’s own Pulitzer Prize-winning author.

    At 7:30 p.m. on April 20 at Albany’s Palace Theatre, the ASO will present the world premiere of “Roscoe, Concerto for Violin and Orchestra” by Kevin Beavers. The new work was inspired by Kennedy’s novel “Roscoe,” the seventh book in his Albany cycle about politics and power in a fictionalized Albany of the 1930s and ’40s. Violinist Colin Jacobsen will perform the piece alongside Kennedy, who will read selections from the novel, to introduce the movements of the work.

    Kennedy will talk about his work and sign books at 3 p.m. Saturday, March 10, at Borders on Wolf Road in Albany.

    Area book clubs are encouraged to read “Roscoe” in preparation for the world premiere of the Beavers’ concerto, and may attend the performance at a special discounted rate of $22 per ticket. Book clubs attending the concert also will be able to meet and have a photo opportunity with Kennedy.

    To receive the book club concert ticket discount, club leaders must sign up at the ASO Web site: http://www.AlbanySymphony.com, where a readers guide to “Roscoe” developed by Kennedy is also available.

    For more information, call the ASO at 465-4755.

  • For serious books, turn to comedy

    Media Bistro reports that the Daily Show helps boost sales of serious books after their authors appear on the show, and that the TV outlets for serious authors are shrinking.

    The blog post is here.

  • Bringing the world to the U.S.

    It is no secret in the book world that far more books are translated into other languages than into English. Having lived in Japan (a nation that seems to devour far more literature than the U.S.) in my early 20s and then returning to the U.S., I’ve seen this firsthand — a marked provincialism of America as a symptom of the country’s complacency of empire.

    The NEA seems to be trying to help to change this with the first grants for translation, which were recently announced. The news can be found here.

    The National Endowment for the Arts offers the NEA International Literature Awards to provide American readers with greater access to quality foreign literary work in translation. The NEA conducts this initiative together with partner governments, with the first awards focusing on the literature of Greece and Spain. The NEA announces today that the 2007 award recipients are three nonprofit literary presses that will translate and publish a work from these countries and promote the book to American readers. The three American presses that each will receive a $10,000 NEA award are Archipelago Books of Brooklyn, NY; Dalkey Archive Press of Champaign, IL; and Etruscan Press of Wilkes-Barre, PA.

    As you could probably guess, $10,000 is a drop in the bucket, but at least it’s a start.

  • For lovers of mysteries…

    … the Edgar Awards has a new Web site.

    The Edgars are the top awards from the Mystery Writers of America:

    Mystery Writers of America is the premier organization for mystery writers, professionals allied to the crime writing field, aspiring crime writers, and those who are devoted to the genre. MWA is dedicated to promoting higher regard for crime writing and recognition and respect for those who write within the genre.

  • The book that changed your life

    Do you read a special book every year? Did a book that you read when you were a child set you on a specific path? I’m still looking for contributions for an upcoming column on influential books in the lives of our readers. Post them here, or send me an e-mail at bibliofiles@hotmail.com.

  • New story from Steven Millhauser

    Skidmore prof and Pulitzer-winner has a new piece of fiction in the latest New Yorker.

    Click here for the story, History of Disturbance.

  • Black History Month: Chester Himes

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    These two novels by Chester Himes, written about 12 years apart, show a bit of a transformation of a novelist who never felt like he fit in. “If He Hollers Let Him Go” tells the story of a black L.A. dockworker, a leader, who supervises both blacks and whites, and feel racism every step of the way, fueling his anger and his desire for violence.

    The publisher says:

    Robert Jones has a lot going for him – a steady job, a steady relationship and plenty of prospects… until a white woman accuses him of rape and, all of a sudden, his prospects seem a lot less bright.
    Immediately recognised as a masterful expose of racism in everyday life, If He Hollers Let Him Go is Chester Himes’ first book, originally published in 1945.

    Reviews
    ‘Youthful, insulting, risky, brash, bad-assed, revolutionary, violent, and struts about as if to say, here come cocky Chester Himes, you litterateurs, and I hope you don’t like it’ Ishmael Reed

    ‘The greatest, most brutally powerful novel of the best black novelist of his generation’ Chicago Tribune

    ‘Hard and fast and sure’ New York Review of Books

    Meanwhile, A Rage in Harlem:

    For the love of fine and wily Imabelle, hapless Jackson loses his life savings to a con man who knows the secret of turning ten-dollar bills into hundreds and steals from his boss, only to lose the stolen money at a crap table. Luckily for him, Jackson has a savvy twin brother, Goldy, who, disguised as a Sister of Mercy, earns a living by selling tickets to Heaven in Harlem. Now for the big payback…
    Review:
    “Himes undertook to do for Harlem what Raymond Chandler did for Los Angeles.” Newsweek
    Review:
    “Himes wrote spectacularly successful entertainments, filled with gems of descriptive writing, plots that barely sidestep chaos, characters surreal, grotesque, comic, hip, Harlem recollected as a place that can make you laugh, cry, shudder.” John Edgar Wideman
    Review:
    “Chester Himes is one of the towering figures of the black literary tradition. His command of nuances of character and dynamics of plot is preeminent among writers of crime fiction. He is a master craftsman.” Henry Louis Gates, Jr.

    The move from social realism to genre writing is intriguing, and the biographical information about him seems to suggest he had an inability to fit in anywhere (his writing career began with his first published story while a prisoner; he moved from America to Paris and basically stayed in France until he died), coupled with an amazing talent for writing and an active and restless mind.

    The Norton Anthology of African American Literature quotes from his autobiography, “My Life of Absurdity”:

    “I traveled throughout Europe trying desperately to find a life into which I would fit; and my determination stemmed from my desire to succeed without America. … I never found a place where I even began to fit, due in great part to my inability to learn any foreign language and my antagonism toward all white people, who, I thought, treated me as an inferior.” A web of contradictions, Himes spent a good deal of his life among “all white people.” As we might anticipate, his varied writings reflect the intense conflicts within Chester Himes himself.

    The previous authors and writings featured on this blog for Black History Month:
    “The Interesting Narrative of the Life of Olaudah Equiano”
    Gwendolyn Brooks
    August Wilson
    “Our Nig” by Harriet Wilson
    “Twelve Years A Slave” by Solomon Northup
    “The Souls of Black Folks” by W.E.B. Du Bois
    Langston Hughes
    “Cane” by Jean Toomer
    “The Great Negro Plot” by Mat Johnson
    “Passing” by Nella Larsen
    “Narrative of the Life of Frederick Douglass”
    “The Autobiography of Malcolm X”
    “I Have a Dream” speech”
    “Sula” by Toni Morrison
    “The Known World” by Edward P. Jones
    “The Color Purple” by Alice Walker
    “The Intuitionist” by Colson Whitehead
    “Up From Slavery” by Booker T. Washington
    “Invisible Man” by Ralph Ellison
    Sonia Sanchez
    “Black Girl in the Ring” by Nola Hopkinson
    June Jordan
    “Flight to Canada” by Ishmael Reed
    Gloria Naylor
    “Fledgling” by Octavia E. Butler

  • Black History Month: “Fledgling”

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    Fledgling by Octavia E. Butler is another recommendation from Eleanor at Flights of Fantasy in Loudonville. She writes:

    Fledgling was the last novel of the recently deceased Octavia Butler (she died a year ago today), who received a MacArthur genius grant. She was a really good author and Fledgling is a really good vampire novel, about a black girl who wakes up with amnesia & discovers what she is is called a vampire. She has to find food & find out where she comes from. It is completely (very completely) different from Laurell K. Hamilton’s vampire stories, but just as good.

    From the Washington Post Book World:

    “Butler is one of the finest voices in fiction — period…. A master storyteller, Butler casts an unflinching eye on racism, sexism, poverty, and ignorance and lets the reader see the terror and beauty of human nature.”

    Seven Stories Press, which publishes Fledgling, includes this quotation from Butler on its Web site:

    “Choose your leaders with wisdom and forethought. To be led by a coward is to be controlled by all that the coward fears. To be led by a fool is to be led by the opportunists who control the fool. To be led by a thief is to offer up your most precious treasures to be stolen. To be led by a liar is to ask to be lied to. To be led by a tyrant is to sell yourself and those you love into slavery.”

    Here’s another quote from Butler, from the Voices from the Gap Web site:

    “I’m not writing for some noble purpose, I just like telling a good story. If what I write about helps others understand this world we live in, so much the better for all of us,” Octavia Butler told Robert McTyre. “Every story I write adds to me a little, changes me a little, forces me to reexamine an attitude or belief, causes me to research and learn, helps me to understand people and grow … Every story I create, creates me. I write to create myself” (Stevenson 210).

    Thanks again to Eleanor at Flights of Fantasy for this recommendation.

    I’ve posted about her novel Kindred before. The link is here.

    The previous authors and writings featured on this blog for Black History Month:
    “The Interesting Narrative of the Life of Olaudah Equiano”
    Gwendolyn Brooks
    August Wilson
    “Our Nig” by Harriet Wilson
    “Twelve Years A Slave” by Solomon Northup
    “The Souls of Black Folks” by W.E.B. Du Bois
    Langston Hughes
    “Cane” by Jean Toomer
    “The Great Negro Plot” by Mat Johnson
    “Passing” by Nella Larsen
    “Narrative of the Life of Frederick Douglass”
    “The Autobiography of Malcolm X”
    “I Have a Dream” speech”
    “Sula” by Toni Morrison
    “The Known World” by Edward P. Jones
    “The Color Purple” by Alice Walker
    “The Intuitionist” by Colson Whitehead
    “Up From Slavery” by Booker T. Washington
    “Invisible Man” by Ralph Ellison
    Sonia Sanchez
    “Black Girl in the Ring” by Nola Hopkinson
    June Jordan
    “Flight to Canada” by Ishmael Reed
    Gloria Naylor