Author: Michael Janairo

  • David Malachowski remembers Ernie Williams

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    Ernie Williams and I were separated by a generation or two, but we both enjoyed fishing, took to music early and loved the blues the most.

    We grew up in very different worlds.

    Much of his world wasn’t pretty. Every now and then, he’d talk about how it was years ago, “When black was black and white was white,” as he said, when races didn’t mix. When coaxed, he would tell harrowing stories, but they aren’t worth retelling now except to say that even though Ernie was someone who experienced the hatred of racism, he wasn’t a bitter person.
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  • ‘Tethered 24/7’ post-discussion wrap up

    Tweets and more from the Times Union-College of Saint Rose panel discussion “Tethered 24/7: Staying Human with Today’s Technology”
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  • Proctors announces 2012-13 Broadway series

    Cast members from the Broadway musical Million Dollar Quartet perform during Proctors 2012-13 Broadway season anouncement in Schenectady, NY Tuesday March 20, 2012. MILLION DOLLAR QUARTET is the new smash-hit musical inspired by the famed recording session that brought together rock 'n' roll icons Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins for the first and only time.( Michael P. Farrell/Times Union )

    Members of the Broadway cast of “Million Dollar Quartet,” one of the five announced shows, showed up Tuesday night at Proctors to perform selections from the musical to help the venue launch its next season.

    “Million Dollar Quartet” tells the story of one legendary night – Dec. 4, 1956, when Sam Phillips brought Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins together for a recording session. The jukebox musical includes songs such as “Blue Suede Shoes,” “Folsom Prison Blues” and “Great Balls of Fire” and is slated to run for one week, Jan. 22-27.
    The other four musicals are:

    • “Mary Poppins,” Oct. 2 – 7, based on the children’s books and classic Disney film;
    • “Wicked,” Nov. 7 – 25, based on the novel by the Capital Region’s Gregory Maguire and whichi last played Proctors in 2009;
    • “Priscilla Queen of the Desert,” Feb. 12 – 17, based on the Academy Award-winning film from 1994 about three friends – two drag queens and a transsexual — searching for love and friendship in the Australian outback; and,
    • “Les Miserables,” April 30 – May 5, 2013, the 25th anniversary production of the international blockbuster about love, revolution, crime and punishment in early 19th-century France.

    Subscriptions to the Broadway series are now available. Contact Proctors for more information at 346-6204 or visit http://www.proctors.org.

    What do you think of the season?

  • Which Broadway shows do you think Proctors will announce Tuesday?

    On Tuesday night, Proctors will announce its 2012-13 Broadway series, the big money-maker for the Schenectady venue.

    Back in January, I took a stab at guessing which five shows would hit the boards in the old Vaudeville house.

    Here are my guesses (the first three will be beginning their first U.S. tours later this year):

    • “War Horse,”
    • “Anything Goes,”
    • “The Book of Mormon,”
    • “Fela!” and
    • “American Idiot.”

    I chose “Fela!” and “American Idiot” because they seem like fun shows that are now touring but haven’t played Proctors, yet. Other shows in that category include “Billy Elliot,” “Les Miserables” (the 25th anniversary edition), “Mary Poppins” and “Million Dollar Quartet.”

    What would you like Proctors to announce tomorrow night?

  • How do you stay human with today’s 24/7 technology?

    Once upon a time, there were two different things called “work” and “life,” and the two were separated by distance and time. You went to work or you went home. You started work at a specific time, and you ended at a later, but just as specific time.

    Perhaps that time was mythical — didn’t people think about work when they were away from it? — but with new tools, especially smartphones, the lines have blurred. Work can be in you pocket. It could be the first thing — or the last thing — you do each day, while still in bed at home.

    At least, that’s true for me, with an iPhone and iPad that I can carry with me pretty much everywhere, and a laptop at home, as well as a computer at work.

    Recently, I was in a hotel room in Rome, Italy, on vacation, but checking my email so I wouldn’t be overwhelmed when I returned, and I was approving blog comments on this blog. My work followed me across the Atlantic. So I either have a problem, or I’m a dedicated worker.

    Next week, I’ll be panelist at a talk at The College of Saint Rose called “Tethered 24/7: Staying Human with Today’s Technology.” You can attend the event for free. It’s at 7:30 p.m. Wednesday, March 21, 2012, at The College of Saint Rose, Touhey Forum, Lally Building, 1009 Madison Ave., Albany. You just need to register online.

    Beforehand, though, I want to know your stories about today’s technology. Was there a single event when you realized you were too tethered? And what have you done about it to try to achieve a better balance between work and life?

  • Shalom Auslander talks Anne Frank, writing and ‘Hope: A Tragedy’

    Hope: A Tragedy by Shalom Auslander
    By Elizabeth Floyd Mair

    I knew from reading the jacket copy that Shalom Auslander’s debut novel, “Hope: A Tragedy,” would touch on all sorts of taboos. Indeed, it contains many a joke on topics that are usually way off-limits, including Anne Frank, the Holocaust, and Jesus’ last words on the cross. But I had no idea just how intelligent and beautifully written it was also going to be.

    “Hope: A Tragedy” takes the point of view of its main character, Solomon Kugel, who is fearful of just about everything but especially afraid of the arsonist who has been burning down farmhouses in Stockton, N.Y. — the town where Kugel and his family have recently bought a farmhouse. The arsonist becomes the least of his worries.

    Kugel’s got an old woman living in his attic who turns out to be Anne Frank. She is penniless, unable to touch a cent in royalties from the 32 million copies her book has sold, and has relied for years on the guilty consciences of a succession of German or Jewish homeowners.

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  • New York City Ballet’s 2012 SPAC season

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    The New York City ballet’s summer season at SPAC runs from July 10 through July 21. For more information, visit http://www.spac.org

    Ballet premieres

    • 8 p.m. July 12; 2 p.m. July 14; 2 p.m. July 19: SPAC premiere of Peter Martins’ “The Waltz Project.” Martins is NYCB’s ballet master-in-chief. The ballet is set to music by 13 composers, including John Cage, Milton Babbitt, Robert Moran and Philip Glass.
    • 8 p.m. July 14: World premiere of a Justin Peck ballet set to Philip Glass’ Four Movements for Two Pianos. Peck has been a dancer since 2007 with NYCB and a choreographer since 2009. This is his first ballet for a major company. SPAC premiere of Christopher Wheeldon’s most recent work for NYCB, “Les Carillons.” It premiered Jan. 28 in New York. His 18th ballet for the company, “Les Carillons” features 20 dancers and George Bizet’s L’Arlesienne Suites Nos. 1 and 2. SPAC premiere of Benjamin Millepied’s newest ballet for NYCB set to music by contemporary composer Nico Muhly. It will premiere in May in New York. A NYCB dancer for 16 years, Millepied recently retired from dancing to focus on choreography. This is his fourth ballet for the company.
    • 8 p.m. July 20; 8 p.m. July 21: SPAC premiere of Wheeldon’s “DGV: Danse a Grande Vitesse,” which he created for the Royal Ballet in 2006. It features 26 dancers and a score by Michael Nyman.

    Other highlights

    • 8 p.m. July 11; 8 p.m. July 13; 8 p.m. July 17: Alexei Ratmansky’s masterwork “Russian Seasons” returns for the first time since its 2006 SPAC debut.
    • 8 p.m. July 14: Ballet gala-fundraiser features a lawn party, fireworks and three premieres, including the world premiere of a Justin Peck ballet.
    • 8 p.m. July 18; 8 p.m. July 19; 2 p.m. July 21: Peter Martins’ ballet “Romeo and Juliet” returns for the first time since 2007.
    • 8 p.m. Aug. 18: “Tchaikovsky Spectacular” closes the season with City Ballet dancers performing and works by the great Russian composer, including the 1812 Overture, and colonial re-enactors, live cannons fire and fireworks.

    Complete season

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  • SPAC announces 2012 NYCB and Philly Orchestra seasons

    By Tom Keyser

    The Saratoga Performing Arts Center has announced a 2012 classical season filled with firsts.

    Music fans will welcome Yannick Nezet-Seguin, music-director-designate of the Philadelphia Orchestra, who will make his SPAC debut. He will conduct the orchestra for three performances, including one that features superstar pianist Lang Lang.

    Other firsts and plenty of highlights mark the summer season when the New York City Ballet (July 10-21) and the Philadelphia Orchestra (Aug. 1-18) settle into Saratoga Springs for their annual residencies — from the world premiere of a Justin Peck ballet (the first world premiere by City Ballet at SPAC in 27 years) and the return of Peter Martins’ ballet “Romeo and Juliet” to the performance by Lang Lang and other classical stars, such as Joshua Bell and Yo-Yo Ma.

    See the complete City Ballet season and the complete Philadelphia Orchestra season.

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