Author: Michael Janairo

  • NaNoWriMo and Me

    I’ve never officially signed up for NaNoWriMo — National Novel Writing Month — though I know many people who have, and today my social media feeds are filled with folks sharing their words counts.

    I’d love to do it. And I agree with this great advice from John Scalzi that it can be done — you can crank out enough words for a novel-length manuscript in a month. And I also agree with these words of wisdom from Larry Brooks in a 2010 GalleyCat article: “Don’t finish. Make this the start of something.”

    But I want to use this time to try something I haven’t done before: Outline a novel first.

    I’ll let you know how it goes.

  • On writers and (not) reading

    I’m sure I read a quote somewhere recently that said something along the lines that eventually a writer must decide to be either a reader or a writer.

    Has anyone seen this quote? Do you know what I’m talking about?

    The idea behind the quote struck me as intriguing (and maybe a little self-serving). After all, the common wisdom is that all writers must be readers. You have to read the language to know how to use the language, to know the history into which your words are joined. The thing is in my daily life I face a constant dilemma: when I’m not working at my day job, I can read OR write (or watch TV, sleep, do household chores, pay bills, cook, do laundry, buy groceries, socialize, etc.). Most often, though, it is choice between reading and writing. Writing usually wins out, and the guilt-inducing pile of books (in print and ebooks) grows larger and larger.

    If I didn’t read, though, and if that quote that I think I saw recently that I can’t place now has any merit, then maybe I don’t have to feel guilty about not reading all the books that I haven’t been reading. (Though it isn’t clear to me if that quote means I can excuse my guilt when I’m not writing because I’m watching TV, sleeping, socializing, etc.)

    The thing is, though, I’ve always been a big reader. A slower, reader, sure, but I have a large appetite for books. One of the best things anyone has ever said about me is that for me reading is like plugging me in.

    There was a time when I only read big, old books: Les Miserable, Brothers Karamazov, Anna Karenina, Hunchback of Notre Dame, Crime and Punishment. There was a time when I plowed through novels and short stories, consuming the published works of single authors such as Raymond Carver, Kazuo Ishiguro, Michael Chabon, Jayne Anne Phillips, Tolkien, and people whose new books I often consume right away, like Margaret Atwood. Lately, it’s taking me longer and longer to read anything.

    My most recent purchase, the 1998 comic book series called Stone, which incorporates Philippine folklore in its story, has taken me more than two weeks just to read the first issue, and its not long at all — and its mostly pictures, too.

    In some ways, with all the reading I do on the web — news, social media, work-related articles — I might be doing just as much reading, if not more, as I was doing when I was in graduate school, when the web was but a wee thing.

    So instead of me thinking that my reading has slowed way down because of my age and my new need for reading glasses, I like to think it is because I’m a writer first and need my free brain time for not only the act of writing but also the thinking and processing and nurturing of the ideas, characters, actions and sensations that go into my writing.

  • A word nerd goes for coffee

    Hey, Dunkin, "Medium Hot" means what exactly?
    Hey, Dunkin, “Medium Hot” means what exactly?

    Most reasonable people who see this sign at a Dunkin Donuts will probably think, “Hey, a medium coffee for just 99 cents? What a deal!”

    Me? I had the hardest time getting beyond the line that says “Medium Hot.” Isn’t “medium hot” just “warm”? Should it be “Medium, Hot”? And why is almost every word capitalized?
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  • Details. Details. Details.

    Here’s a detail shot of one of my wife’s paintings that shows a passage I hadn’t noticed during the opening of her show at Kathryn Markel Fine Arts (when the gallery was crowded). Enjoy!

    (Detail) Deborah Zlotsky, Tulips and chimneys, 2014, at Kathryn Markel Fine Arts through Oct. 11
    (Detail) Deborah Zlotsky, Tulips and chimneys, 2014, at Kathryn Markel Fine Arts through Oct. 11
    Deborah Zlotsky, Tulips and chimneys, 2014; Oil on canvas, 60 x 72 in.
  • On Broadway

    This is cool. My words have made it to the bright shining lights of Broadway.

    My former Times Union colleague Steve Barnes (thanks, Steve!) sent me a photo from outside the Lyric Theater, where a revival of the classic show “On the Town” has just opened in previews.

    The photo shows a poster that quotes the Times Union (alas not my name, but those are my words) from a review of the musical that I wrote when the same production was presented last year at Barrington Stage Theater in the Berkshires.

    Pretty cool, to be blurbed on Broadway.

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  • Best coffee ever

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    My globe-trotting sister in law brought back some great coffee from Uganda.

    Full bodied, rich and sweet, the Big Gorilla is among the best if not the best coffee I’ve ever had. Even better than Jamaica Blue Mountain Coffee.

    Anyone else try it?

  • Fact-checking family stories

    I’m not in the habit of fact-checking family stories, despite the countless times (as a journalism student and journalist) I’ve heard: “If your mother tells you she loves you, check it out.”

    So it was more of a fluke than a deliberate act when I came across a document linked to what I’ve come to think of as the precipitating moment of my family’s coming to America.

    A google search led me to the digitized book “Official Register of Officers and Cadets: United States Military Academy,” which included not only my grandfather (a cadet from 1926 to 1930), but also the conditions upon which he became a cadet.

    Screen Shot 2014-09-21 at 5.13.02 PM

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  • Review of Long Hidden on Necessary Fiction

    Drunken Whispers

    Please go to Necessary Fiction to read GREAT REVIEWS!
     
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    Published and Printed at Necessary Fiction

    Long Hidden: Speculative Fiction from the Margins of History

    edited by Rose Fox and Daniel José Older


    Long Hidden, 2014

    The stories in Long Hidden summon the fabulist landscape of remote lands and rare creatures of myth, give or take a zombie and a couple of werewolves. For all its rollicking and twisting plots, most of the stories are embedded in critique: confronting and overturning the notion that magical agency belongs only to those who are male, straight, gender conforming, able-bodied, and white.

    The theme of transformation is prevalent throughout the anthology. The use of magic as an agent for personal change or awareness isn’t homogenized. Instead, magic is applied as a spring of enlightenment not a fix-it tool for plot holes. The resulting stories are fresh rather than…

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