Rock for Recovery at Valentines raises $4,193

Albany promoter Greg Bell of Greg Bell Productions has announced that the two-day Rock for Recovery concert event at Valentine’s raised $4,193 for two charities in regards to the Sandy Hook Elementary shooting.

The proceeds will go to EverRibbon: My Sandy Hook Family Fund, which aims to raise $2.6 million for the 26 families that lost loved ones in the tragedy, and Newtown Youth & Family Services, which provides mental health and support services to children and families.

The Rock for Recovery concerts had featured Conehead Buddha, Dr. Jah and the Love Prophets, Skunk Hostage, The Lucky Jukebox Brigade, Timbre Coup and Way Down on Friday night; and Black Mountain Symphony, Erin Harkes Band, Matt & the Bad Ideas, Sean Rowe, Super 400 and the Hearing Aides on Saturday night.

Valentine’s is located at 17 New Scotland Ave. in Albany.

Jacob’s Pillow Dance Festival announces 2013 season

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By Tresca Weinstein

Something old, something new, something borrowed, something blues.

For the 2013 season at Jacob’s Pillow, Executive Director Ella Baff has put together a marriage of dance and theater, classical and contemporary, with each of the traditional wedding-gown elements in place.

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Rock and Recovery Sandy Hook benefit shows

The destruction caused by Hurricane Sandy was one thing, but that was an act of nature; the events in Sandy Hook Elementary School were manmade, which makes it a different kind of tragedy, one that hurts in a different way.

So we’re very proud to say some of Albany’s finest musical groups have come together for a two-day extravaganza that will raise funds for the families of victims of this horrifying event. On Friday, there will be Conehead Buddha, Dr. Jah and the Love Prophets, Skunk Hostage, The Lucky Jukebox Brigade, Timbre Coup and Way Down.

And if that wasn’t enough, Saturday’s lineup includes Black Mountain Symphony, Erin Harkes Band, Matt & the Bad Ideas, Sean Rowe, Super 400 and the Hearing Aides.

There will be silent auctions and raffles during the show, many ways to contribute to this cause. Do yourself a favor and go, to both nights even, and start the new year off in a positive yet rocking way.

When: 8 p.m. Friday and Saturday

Where: Valentine’s, 17 New Scotland Ave., Albany

Tickets: $10

Info: 432-6572

— David Malachowski

Should Capital Region theaters offer “tweet seats”?

The Guthrie Theater in Minneapolis is experimenting with offering a section of seats where people can tweet away during the live performance of The Servant with Two Masters. (Read the story here.)

The idea is still relatively new for live theater and classical music, though a handful of other theaters have experimented with it. In popular music, however, it seems nearly everyone in the audience is taking photos and videos and sharing them via their smartphones.

What do you think? Should performing arts organizations such as Capital Rep, Schenectady Light Opera Company, Proctors or Albany Symphony Orchestra allow patrons who sit in a certain section the ability to use social media during a performance.

Dave Brubeck, 91, has died

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Dave Brubeck, 91, has died. The jazz pianist and composer, perhaps best known for “Take Five” (watch video below).

Read the AP obituary here.

Brubeck was no stranger to the Capital Region. The venues he performed in include the Saratoga Jazz Festival at Saratoga Performing Arts Center, Proctors in Schenectady, Troy Savings Bank Music Hall, the Massry Center for the Arts at The College of Saint Rose in Albany, and Jacob’s Pillow Dance Festival in Becket, Mass., His most recent performance was with his son’s band, Chris Brubeck Triple Play in June 10, 2011, at Zankel Center at Skidmore College.

What are your memories of Brubeck?

Cool things to do today and the week ahead

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Family fun
There’s just something magical about trains and Christmas. The sight of a Lionel engine, billowing smoke from its toy smokestack as it chugs around the tree, is heartwarming—and quite common during the first half of the 20th century. A visit to the Great Train Extravaganza will bring those memories flooding back. The annual model train showcase, presented by the Upstate Train Associates and the Hudson-Berkshire Division of the National Model Railroad Association, will feature more than 200 tables of model trains of all gauges, train sets, parts, accessories, books and railroad memorabilia. And this year, there will be a “massive” train layout made of Legos. 10 a.m.-4 p.m. today (Sunday, 12/2). $7; free for kids under 12. Empire State Plaza Convention Center, Albany. 668-9892; http://www.gtealbany.com

Kids didn’t watch “A Charlie Brown Christmas” for the music. But its Vince Guaraldi’s stellar jazz soundtrack from the classic Christmas special that brings back yuletide memories for Baby Boomers. Guaraldi’s instrumental takes on “Christmas Time Is Here,” “Oh Christmas Tree,” and “Linus and Lucy” are quintessential holiday fare. Guaraldi’s genius will be celebrated in “It’s A Jazzy Christmas!,” a concert featuring The Peanut Gallery Jazz Trio. The group — local pianist David Gleason, Schenectady school district music teacher Mike Lawrence and drummer Pete Sweeney — will play Guaraldi’s holiday faves. 3 and 5 p.m. today (Sunday, 12/2). $10-$20; free for children under 6 (ticket is required). Kathleen McManus Picotte Recital Hall, Massry Center for The Arts, The College of St. Rose, 1002 Madison Ave., Albany. 337-4871; http://bit.ly/Ukp2Yi

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Why you know someone in a band: The Capital Region is dense (but not popular) with music

To control for the effects of population, this map (above) shows the distribution of musical acts per 10,000 people. Note how dark it is in and around Albany. From http://www.theatlanticcities.com/arts-and-lifestyle/2012/11/americas-most-popular-music-scenes/3588/

Richard Florida, who coined the term creative class — about how the development of cities can be dependent upon the rise of a class of professionals involved in creative industries — recently published a study in the Atlantic Online about the most popular music scenes in the U.S. (A hat tip to my colleague Leigh Hornbeck to pointing me to this map on the Idiotsbeingidiots blog.)

Florida’s post offers four maps:

  • Raw Number of Musical Acts (LA is on top, followed by NYC and Chicago)
  • Density of Musical Acts per 10,000 (This is the map above, with LA on top, followed by Napa, Calif., and Las Vegas — the Albany metro area comes in ninth)
  • Music Popularity Index (in millions) This comes from MySpace data in 2007 (!) and has LA, NYC and Atlanta in the top 3
  • Popularity Index per Capita (Nashville tops this list, followed by LA and Atlanta)

The article states that the data come from MySpace in 2007, so it can be out of date. Florida writes:

In early 2007, at the peak of the site’s popularity (it had more visitors than Google at the time), my team at the Martin Prosperity Institute (MPI) and I organized and collated information on the more than three million artists that were listed. We cleaned the data, organizing it by location, popularity (as reflected by fans, plays, and page views), and key musical genres. Overall, we were able to code almost two million acts to metro areas.

It is stunning that Albany area is so highly ranked in the density of musical acts with 154 for 10,000 people.

Now this doesn’t mean the city of Albany, but the metropolitan statistical area, which includes the four counties of the Capital Region (Albany, Rensselaer, Saratoga Springs and Schenectady) and more than 800,000 people. But if the math is correct, and you take that 154 per 10,000 and apply it to a population of 800,000, that means in 2007 there were 12,320 musical acts in the Capital Region.

To me this study, and Albany’s rank in it, means a few things:

  • It confirms what I’ve long suspected and what other data, like a  recent Preview survey, has said: going to see music is one of the top entertainment activities in the region.
  • Many of the people who go to see musical acts are also involved in their own musical act.
  • New technologies have made it easier than ever for people to create, record and distribute music, and this region is a vibrant place for that creation.
  • Despite all of this vibrancy, the music doesn’t have much of a reach, in that it doesn’t rate highly on the popularity index. That could mean that not enough people are hearing the music being created in this area, because the new tools for recording and distribution aren’t enough to make it big in the music world, if Albany has to compete with Nashville and LA, for example. Then again, it could also mean that the music isn’t all that good.
  • It also means that, with so many musical acts, that you, dear reader, likely know at least one person who plays music in a band, if not several,

What’s your take on this data?

Boston Symphony Orchestra announces 2013 Tanglewood season

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2013 Tanglewood Season

By Joseph Dalton

The Academy Award-winning film version of “West Side Story” will be screened with live orchestral accompaniment in The Shed at Tanglewood as part of the 2013 summer season, just announced by the Boston Symphony Orchestra. In an unusual feat of technology, the original vocal soundtrack — both singing and dialogue — will play as David Newman conducts.

Other highlights of the season, which runs July 5 through September 1, are concert performances of two recent full-length operas, John Harbison’s “The Great Gatsby” and George Benjamin’s “Written on Skin.” Major concert works will include the Verdi Requiem, Mahler’s First, Third and Fourth symphonies and the third act of Wagner’s “Die Walkure.” Yo-Yo Ma’s best-selling recording “The Goat Rodeo Sessions” will be reprised with bassist Edgar Meyer and madolinist Chris Thile, who recently received a MacArthur “genius” award. Also, Mark Morris will stage a double bill of Purcell’ “Dido and Aeneas” and Britten’s “Curlew River” with members of his dance company and musicians of the Tanglewood Music Center.

Because the BSO continues to perform without a music director after the departure of James Levine there will be a large roster of guest conductors. Among them, Rafael Frühbeck de Burgos leads four concerts, while Charles Dutoit, Christoph Eschenbach, and Christoph von Dohnányi will conduct two to three performances each. Returning soloists include violinist Joshua Bell, and pianists Jean-Yves Thibaudet, Emanuel Ax, and Peter Serkin. Appearing in recital at Ozawa Hall will be baritone Bryn Terfel, and pianist Garrick Ohlsson, among others.

Other annual events include a live broadcast of “A Prairie Home Companion” (June 29), Tanglewood On Parade (August 6), and John Williams conducting film night (August 24).

A variety of discount ticket programs continue, including half price lawn seats for those under 17. In a new promotion, adults under age 40 can purchase tickets for just $20 to all BSO and Boston Pops concerts in The Shed. Tickets go on sale January 27 and are available by calling 888-266-1200 or by visiting http://www.tanglewood.org

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Review: 60 Minutes on New York City Ballet

Meh.

I often enjoy 60 Minutes for its hard-hitting and enlightening news segments, and I was especially looking forward this segment on New York City Ballet, which has had its summer home at Saratoga Performing Arts Center since it was founded, but will only be in residence for one week in 2013.

Lesley Stahl provided a good overview of NYCB for a general audience, but the segment lacked specifics. Yes, the dancers are as fit as athletes. Yes, Balanchine is one of the greatest artists of the 20th century. Yes, the audience for ballet is graying. Yes, NYCB has financial troubles, though we don’t get any financial details.

What we learn is that ballet master Peter Martins — a former NYCB dancer under Balanchine who didn’t really like to perform — is trying to continue the legacy of Balanchine and to build new audiences by such critically panned shows such as Paul McCartney’s “Ocean Kingdom” and by highlighting the male dancers, such as Robert Fairchild.

Though Stahl does ask the good, hard question of Martins about his reaction to the critically drubbing his choreography has gotten, especially with “Ocean Kingdom,” she let’s Martins get away with saying, basically, that the critics don’t know what they’re talking about and that he had sold-out houses for the McCartney-related shows. What the critically response means, though, is that once the thrill of having a Beatle do ballet fades away, City Ballet is left with a dance that may not last in its repertoire. In other words, that it doesn’t have a future.

That’s something that the piece doesn’t delve into enough: the future. How successful has Martins been in highlighting male dancers? The piece doesn’t say, though perhaps the 60 Minutes segment’s few minutes spent with Fairchild could create some more excitement for NYCB.